If, like myself, you are a fan of Japanese ghost stories, you're going to see the end coming on this one right away so that kind of spoiled it for me, because this story is very much in line with the old traditional type of ghostly tale from Japan. And they look just like Adelaide and her family.Very brief, this reads quickly & it is easy to read as well. Once they arrive, Adelaide is convinced something wicked this way comes and memories of a traumatic event from her childhood start to take shape just as four strangers dressed in red jumpsuits and brandishing golden scissors, appear at their doorstep.
Like the finished film, the screenplay centers on a woman named Adelaide Wilson who returns with her husband, son, and daughter to the beachfront home where she grew up as a child. And while reading the screenplay for Peele's Us doesn't do much in the way of providing any concrete answers to many of these debates, it's still a fast-paced and fun read so I suggest giving it a once-over when you have the time. We need to fight for the less fortunate."ĭeep stuff, to be sure. That's where the Tethered connection, I think, resonates the most, is that those who suffer and those who prosper are two sides of the same coin. For us to have our privilege, someone suffers. You know, the biggest disservice we can do as a faction with a collective privilege like the United States is to presume that we deserve it and that it isn't luck that has us born where we're born.
I think it's the idea that what we feel like we deserve comes, you know, at the expense of someone else's freedom or joy. "One of the central themes in Us is that we can do a good job collectively of ignoring the ramifications of privilege. Peele later explained in the film's special features that American privilege was one of the major themes he was exploring with the movie, saying this.
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